A mix of choreographies and improvisation work. More info: https://padeflo.wixsite.com/pablodelgado

Contemporary 0:00 Ballet 0:43 Dance theater 1:08 Improvisation 1:40

Vienna state opera

Heels class from the incredible Irina Ryzhakova Here her channel! https://youtube.com/@irinaryzhakova5111

Dancer: Pablo Delgado Flores Text: Excuse me, have you seen the chicken? Is it there? there? over there? ...I can´t find it! Oh, I'm sorry, it's not here.

Dancer: Pablo Delgado Asistant: Beatriz Delgado Choreography: Pablo Delgado Music: Glass -Alva Noto Mutant Brain - Sam i, Ape Drums Synopsis: He was born in Algeciras, a tiny village in Spain. Such a smiley and playful boy. From when he was very little he showed how much true love he had to give and offer to this world. Then he grew older and met the sour and sad side of the world. So-called friends betrayed him, and he became more and more bitter. He lost his trust in love, life, family, friends, and himself. Time passed, and one day one of his friends called his house. His sister picked up the phone. ‘Is he there?' the friend asked. ‘No’, said his sister, ‘I’m sorry, he can not come to the phone right now’. ‘Why?' he asked. (Pablo) Died years ago and was buried where no one could ever find him.

So happy to share this improvisation filmed in the studio after 2 months training and dancing in my bedroom. It feels good to be back!

Dancer: Pablo Delgado Flores Camera: Constatine Georgescu Video edition: Pablo Delgado The ambiguity of dis - pleasure in fold Movement research inspired from the chapter “My Ambiguous Pleasure” from the book “The pleasure in drawing” by Jean-Luc Nancy and the drawings from the choreographer Julius Reisinger. Seeking the combination of pleasure (satisfaction) and displeasure at the same space and time, recreating a tense ambiguity in every single movement (line) over and over as if I were “the pencil” being drawn by the artist. Recreating the process of drawing line after line (layer on layer) in one body in order to create the final work of art as we can see in Reisinger’s pictures. ”Maybe the most important word is the word tension. Lines shouldn’t even vibrate anymore, be able to any more” Pablo Picasso. ----------------------------------------------------------------------- La ambigüedad del des - placer doblado Investigación del movimiento inspirada en el capítulo "Mi placer ambiguo" del libro "El placer en el dibujo" de Jean-Luc Nancy y los dibujos del coreógrafo Julius Reisinger. Buscando combinar el placer (satisfacción) y el disgusto en el mismo espacio y tiempo, recreando una tensa ambigüedad en cada movimiento (línea) una y otra vez como si fuera el "lápiz" que dibuja el artista. Recreando el proceso de dibujar unalínea tras otra línea (capa sobre capa) en un cuerpo para crear una obra de arte final como podemos ver en las imágenes de Reisinger. "Tal vez la palabra más importante es la palabra tensión. Las líneas ya no deberían vibrar, ser más " Pablo Picasso.